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THE ART OF COLLECTING

Daniel Garza Usabiaga Coleccionar/Pensar Ediciones Acapulco, 2015 According to many anthropologists, the impetus for collecting objects is inherent to human beings. In fact, the act of accumulation is also found in other species. The difference lies in the systematization of what has been collected: an act that involves rationalization. Part of Marianna Dellekamp’s researches has […]

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UN MUSEO SIN MEMORIA

José Luis Paredes Pacho Colección, El crimen fundacional UNAM, 2013 “Soy un coleccionista de instantes” Opiniones de un payaso. Heinrich Böll “su singularidad absoluta […] es algo que tiene como campo el ser poseído por mí; lo cual me permite reconocerme en él como ser absolutamente singular. Tautología majestuosa, pero que constituye toda la densidad […]

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PRESS

Chromogenic print on cotton paper 30 prints, 21 x 32 cm each This piece is a reflection on the identity of the art object and the mechanisms that legitimize it. It is an installation that resulted from the accumulation of printed material on art published by public and private institutions, which disseminates their activities and […]

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THE ARTISTIC PROCESS AS MEETING GROUND

Graciela Kasep, Collaborator wanted. Collaborator wanted Over the course of her artistic practice, Marianna Dellekamp (Mexico, 1968) has covered varied ground. While most of her work has focused on the photographic image and the different ways in which it can be shown, tridimensional endeavors have gained growing importance in recent years. Her work is the […]

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ANTROPOLOGÍA DEL CUERPO MODERNO

Osvaldo Sánchez Catálogo editado por el FONCA y Galería Acceso A, 1999 La fotografía de Marianna Dellekamp nos abre al campo ciego del cuerpo, asumiendo su naturaleza como un sistema de tubos comunicantes para un deseo siempre fugaz, preso en sus pesos específicos, como líquidos dentro de líquidos, capaces de registrar un espacio mínimo donde algo incierto se diluye. Y ese territorio […]

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